Streaming markets set for vertical push in 2022 | Media Analysis | Business | News | Rapid TV News
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As the TV industry emerges from its Covid-induced boom, a double wave of merger and acquisition activity will shape the race for global growth will be the trend to watch this year according to research from Ampere Analysis.
MGM 27May2021
The analyst believes that as the leading players now have a good understanding of what is required to maintain market position from a content perspective in a fiercely competitive global landscape, the industry is entering a new phase that Ampere predicts will be characterised by structural positioning.

“Success in streaming today means capture and retain: capture the viewer and then keep them happy enough to stick around. That strategy relies on both popular content and new original debuts with both a bang (impact that grows and engages the customer base) and longevity,” observed Ampere research director Guy Bisson. "To achieve this, 2022 will herald the start of a new wave of M&A activity that will position the TV market for on-going growth and align companies along the key verticals needed to service a global streaming-first TV content and distribution market.”

Looking at the two waves, Ampere predicted one will focus on content intellectual property where acquisition targets will include traditionally established TV production entities with a track record of creating character-driven content franchises, as well as publishers, games studios, comic creators, toys, music catalogues, TV and movie libraries and archives that have the same proven abilities. The second wave was likely to see the return of large-scale vertical integration, although the alignments will differ from the combinations that characterised the last great wave of content-plus-distribution mega-mergers in the nineties and noughties.

Bisson noted that the restructuring would see the emergence of two major groupings: feeders and deliverers. “We can think of these restructuring waves around two broad types of company that have been shaped by the needs of global streaming, he remarked. “Feeders, who currently make content available for international licensing; and Deliverers, the consumer facing content platforms who increasingly make programming primarily for their own channel or streaming service.”

Ampere says feeders now need scale to survive in the new global TV market, so they will be aiming to grow their geographic footprint and the breadth of their production assets by executing classic horizontal mergers. As Feeders scale, they will likely become acquisition targets for the Deliverers, eager to make and access more content that meets the ‘capture and retain’ principle. Most of the Deliverers have emerged from already vertically integrated studio businesses or are global streaming firms such as Netflix or Amazon. Ampere says they need a way to boost their ability to get in front of viewers on a global basis.

Vertical integration is forecast to be the prevailing trend for the Deliverers, meaning, said Ampere, content and distribution. Big tech plus major content combinations will emerge in a remodelling of the nineties and noughties trend that saw regionally limited cable and satellite players join forces with channel and content assets. The Amazon/MGM (pictured) deal is a precursor to this movement. It underlines the vital importance of controlling global rights and protecting IP in this environment.

Assessing the trends revealed in the report, Bisson added that big tech was essential for vertical integration to succeed and that IP would be central to content positioning. “The need to control global rights drove the first waves of production M&A activity as streaming took off,” he noted. “In 2022, content M&A will increasingly shift to focus on intellectual property, the control of characters and their associated fan bases. Already, 40% of new streaming TV show commissions are based on existing IP so the future means not just controlling global rights, but also managing the source of new and franchisable content.”

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